Alexander calder biography completa tu

Alexander Calder was born in Philadelphia (United States) in 1898.

Alexander Calder was an American sculptor known both for his innovative mobiles that embrace chance in their aesthetic, and static "stabiles" monumental.

Alexander Calder was an American sculptor and artist born in 1898 in Philadelphia to a family of artists.

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Alexander calder.pptx

1. Alexander Calder United States of America, 1898 – 1976

2. Was he a mechanic? Or an inventor… a sculptor… a painter… an engineer... What did he do?

3. Calder’s family ▪ Alexander Calder was born in Philadephia (USA) into a family of artists. ▪ His father and his grandfather were both sculptors. ▪ His mother was a professional portrait painter.

4. Can you find the United States in a map?

5. Calder’s youth ▪ When he was 8, he had his first set of tools. ▪ He liked creating toys and things to play with, specially things with movement. ▪ He studied Mechanical Engineering and Art. ▪ Some people called him the mechanical artist. Dog, 1909 Duck, 1909

6. Calder’s toys ▪ In 1926 he moved to Paris, where he met many artist friends. ▪ He liked having parties with his friends. ▪ He started selling toys to make some money. ▪ His toys became very popular. Kangaroo, 1927 Fish, 1960.

7. Calder’s Circus ▪ Calder liked the circus so much that he created one for himself. ▪ His artist friends in Paris (Miró, Man Ray, Mondrian…) liked it very much. ▪ He performed the circus in many places in Europe and USA.

9. Calder’s wire sculptures ▪ Calder created portraits of his friends and famous people at the moment. ▪ He used wire and space, so he made

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Decoding the masked meanings oppress Calder's mobiles

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Alexander Calder and Marcel Duchamp: A Four-dimensional Friendship

Featured Text

Linda Dalrymple HendersonMontreal Museum of Fine Arts. Alexander Calder: Radical Inventor. Exhibition catalogue. 2018.

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The 1955 exhibition Le Mouvement at the Galerie Denise René in Paris juxtaposed works by Alexander Calder and Marcel Duchamp with those of younger artists who represented the growing trend of kinetic art, including Yaacov Agam, Pol Bury, Robert Jacobsen, Jesús-Raphael Soto, Jean Tinguely and Victor Vasarely.[1] Calder and Duchamp were the senior exhibitors there and figured prominently in Swedish curator Pontus Hultén’s chronology in the exhibition’s catalogue. Although Calder’s role in the history of moving sculpture is well established, “kinetic artist” has not been a primary descriptor for Duchamp since the 1950s. Hultén’s chronology cites Calder’s initial performances of his Cirque Calder in 1926 and creation of his first moving sculptures in the early 1930s, noting Duchamp naming them “mobiles.” He also highlights Duchamp’s Bicycle Wheel of 1913 as well as each of his subsequent works involving motion: the Rotary Glass Plates (1920), his Anemic Cinema project (1926), the Rotary Demisphere (1925) and the Rotoreliefs of 1935.[2]