Mark elder conductor biography definition
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Introduction
On August 17th of this year, the Usher Hall in Edinburgh will host Sir Mark Elder&#;s final concert as Principal Conductor and Music Director of the Hallé Orchestra, nearly 24 years after his first concert in the role at the beginning of the /01 season. That night the final choir to sing under his baton will be the Edinburgh Festival Chorus, with a performance of Lili Boulanger&#;s doom-laden Psaume CXXX, a work that the Hallé Choir will also perform early in the /25 season under Sir Mark&#;s erstwhile assistant conductor Delyana Lazarova. Sir Mark&#;s final appearances with the Hallé Choir in Manchester will take place on May 31st and June 1st with the choir performing Sir James MacMillan&#;s setting of words from John Dryden&#;s Alexander&#;s Feast, a joint commission with the Cincinnati Symphony Orchestra that the composer entitled Timotheus, Bacchus and Cecilia, a work that is a celebration of the power of music. The choir will reprise these performances on July 21st at the BBC Proms in London.
What is most noteworthy about MacMillan&#;s work was that it was written not just for the Hallé Choir but also for the Hallé Youth Choir and the Hallé Children&#;s Choir, and celebrates the revolution in choral singing in Manchester that Mark Elder has overseen
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The Long View | What will Manchester feel like without Mark Elder?
It was last millennium that Mark Elder agreed to be music director of the Hallé Orchestra. When he took up the post, the twin towers were still standing in Manhattan and Baha Men were about to have a UK number one with Who Let The Dogs Out? 24 years on, at the end of this month, Elder will conduct the first of two final concerts as the orchestra’s boss in Manchester.
A year and a half into Elder’s tenure, I got a job tearing tickets at Bridgewater Hall. On my first shift, Elder led the Hallé through Act I of Wagner’s Tristan und Isolde. I’d never witnessed him conduct, but had seen his face in countless brochures and knew him as the former figurehead of an English National Opera I idolised but had never visited. I peered down from the highest point of the auditorium at the figure on the podium, whose name I’d so often heard and read. He looked older than I’d expected, and a touch shorter.
Unbeknownst to me, I was witnessing one of the most remarkable transformations in British orchestral history – proof of the power of leadership. Before Elder, the Hallé was mediocre, miserable, poorly managed and flirting with bankruptcy. After that Tristan, I went to almost every Hallé concert for two years.
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Category: Biography, Melodic interpretation
Author: Sir Mark Senior, interviewed shy Raymond Holden
Publisher: London: Be in touch Academy disrespect Music Keep, pp
ISBN:
Reviewed by: Author Mould
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