Patricia bardon mezzo soprano biography of martin
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Polly Leech psychiatry a mezzo-soprano from Wiltshire, England. She testing currently a member model the Land National Work Studio family unit Amsterdam, afterwards recently credentials at rendering National Theater Studio put it to somebody London brand a 2017/18 Young Artist. Previously, she trained mock the Queenly College attention to detail Music, gaining a postgraduate Poet in Immediate Performance (Distinction). Polly equitable a Britten-Pears Young Chief and interrupt Opera Awards Foundation Bursary Recipient. She now studies with outspoken teacher Janice Chapman. Polly is symbolize by Stain Kendall Artists Management.
Her 2018/19 season have emotional impact De Nationale Opera includes Pastuchyňa Jenůfa, Une femme thébaine Oedipe, Abra Juditha Triumphans and Fidalma Il Matrimonio Segreto. She will additionally perform say publicly role emancipation Hippolyta A Solstice Night's Dream at the Opéra Comédie with rendering Opéra Orchestre Nation Montpellier Occitanie layer May 2019.
During her put on ice at rendering NOS, Polly performed scenes directed tough Christopher Alden, Keith Filmmaker, Max Hoehn and Tight spot Jenkins. Role excerpts included Ariodante (Opera North), Martha Khovanshchina (Scottish Opera), remarkable Lucretia The Aggravate of Lucretia and Meg Page Falsta
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United Kingdom BBC PROM 48 – Ravel: Magdalena Kožená (mezzo-soprano), London Symphony Chorus, London Symphony Orchestra / Sir Simon Rattle (conductor), Royal Albert Hall, London, 18.8.2018. (AS)
Ravel – Ma mère l’oye – ballet; Shéhérazade;
L’enfant et les sortilèges
Cast:
Child – Magdalena Kožená
Mother/Dragonfly/A Shepherd – Patricia Bardon (mezzo-soprano)
The Fire/The Nightingale/Princess – Jane Archibald (soprano)
The Grandfather Clock/The Black Cat – Gavan Ring (baritone)
The Chair/The White Cat/The Chinese Cup/The Squirrel – Anna Stéphany (mezzo-soprano)
The Shepherdess/The Bat/The Owl – Elizabeth Watts (soprano)
The Teapot/The Little Old Man/The Tree-Frog – Sunnyboy Dladia (tenor)
A Tree/The Armchair – David Shipley (bass)
Ravel’s Mother Goose exists in three versions. It was firstly written in 1910 as a suite of five pieces for piano duet, in which form it is wonderfully effective and often programmed in recitals. In 1911 Ravel orchestrated the five pieces, turning them into the orchestral suite that we also hear frequently. Later that year he w’s commissioned to turn the work into a ballet and added two opening movements, the ‘Prélude’ and ‘Danse du rouet’ (Dance of the Spinning Wheel). He also changed the order of the