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The Eye of the Storm
Lynsey Addario ventures into the world’s most troubled regions and creates stunning photos of pain, deprivation, and beauty.
An Iraqi woman searches for her husband as she passes a burning liquid-gas factory in Basra, allegedly set on fire by looters in the aftermath of the Iraq War.
View a gallery of Addario’s work »
Nine days after her release from captivity by the Libyan Army in March, freelance photographer Lynsey Addario ’95 vowed to return to the battlefield, intent on capturing the life-and-death images that have made her one of the world’s leading conflict photographers.
“I will cover another war,” Addario wrote in the Lens blog at the New York Times, where she has been a regular contributor for several years. “I’m sure I will. It’s what I do.”
Addario on the job in Sudan. Photo: Kirsten Johnson
Addario was among four New York Times journalists held in captivity for six days. During that ordeal, she was groped, punched in the face while her hands and feet were bound, and taunted by a soldier who warned her that death was near.
Addario is based in Delhi, India, but travels the globe for the New York Times and National Geographic, finding images that convey the pain and horrors of war, as well as the determination and hope of thos
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Highway to the danger zone: Lynsey Addario
Photojournalist Lynsey Addario has covered war and conflict for the past 15 years, reporting from Afghanistan, the Democratic Republic of Congo, Darfur, Iraq, Syria and Libya – where she was kidnapped along with three other journalists in 2011.
In her memoir, It’s What I Do: A Photographer’s Life of Love and War – already snapped up by Warner Bros for a film adaptation, with Steven Spielberg directing and Jennifer Lawrence in the leading role - the 41-year-old documents her life and her fierce determination to document conflict through photography.
So much of what I do is about communication and people
She says: “I learned so much of it is about communication and people. It’s so little about photographing - it’s really about making people feel comfortable.
“It’s about looking for the light but having patience and taking the time to get to know your subjects.”
Addario, who grew up in Connecticut, was given her first camera, a Nikon FG, at the age of 13 and was initially too shy to photograph people, so opted for inanimate objects. It wasn’t until her university years when studying International Relations in Bologna that she began to consider photography as a
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