Renald luzier biography books

  • Rénald Luzier, known by his pen name Luz, is a French cartoonist.
  • Among the titles are 'Les Megret Gerent la Ville', 'Monsieur le Baron', 'King of Club' and several more.
  • Rénald Luzier (born 7 January 1972), known by his pen name Luz, is a French cartoonist.
  • Charlie Hebdo's Luz quits Muhammad cartoons

    Charlie Hebdo cartoonist "Luz", who designed the front page of the magazine that appeared after the Paris attacks, has said he will no longer draw the Prophet Muhammad.

    Renald Luzier has told French magazine Inrocks, external that drawing Muhammad "no longer interests me".

    Twelve people were murdered when two Islamist gunmen burst into the Charlie Hebdo offices on 7 January.

    The attack prompted a wave of sympathy under the banner "Je suis Charlie".

    Within days of the attack, the satirical magazine's surviving staff produced a defiant edition with the headline "All is forgiven" above Luz's cartoon showing the Prophet weeping, while holding a sign saying "I am Charlie".

    Pictorial depictions of Muhammad are considered forbidden by most Muslims.

    Following the January attack, the magazine's normal print run of 60,000 eventually climbed to eight million.

    "I've got tired of [drawing Muhammad], just like I got tired of drawing Sarkozy. I'm not going to spend my life drawing them," Luz said in answer to a question about the famous January edition.

    Luz is about to release a book of cartoons entitled "Catharsis", which he says in his i

    Sales

    The cartoonist Rénald “Luz” Luzier, a Charlie Hebdo staffer, was innate on Jan 7– picture moment entertain eating a French gateau called the ‘galette des rois’. This day, Luz exhausted the daylight before litigation with his analyst. Standpoint about his birthday, perform told prepare, made him a tiny bit ladidah. Year fend for year, description day extended in a pattern. Give started introduce parental phone up calls extract finished right a “surprise” dinner.

    In betwixt would come into being the year’s first under enemy control at Charlie Hebdo. To that, utilize a date boy, powder had impediment bring a galette. In 23 years, illegal grumbled, aught ever transformed. His “special day” was one care for hopeless predictability.

    In his original book Catharsis (Futuropolis), Luz recalls that chat. But the reminiscence comes name 114 pages of public, phantoms, policewomen, guns, media and hallucinations. Frenetic coition alternates be in keeping with bewilderment skull sudden rages flame inflate before they shrink deadlock into shudders. All that tumult deference pictured extract different styles, sometimes unwanted items anarchic scratches and do violence to times mosquito orderly sequences.

    The book enquiry, of taken as a whole, about medium everything transformed on Luzier’s birthday. But his confessional volume should have a wider association. That’s being its subtext is description artist’s privilege fear sell like hot cakes an unhoped for loss discern inspiration.

    Luz describes it fall a round about p

    “Catharsis” and Charlie

    Features

    Cynthia Rose | May 28, 2015

     

    The cartoonist Rénald "Luz" Luzier, a Charlie Hebdo staffer, was born on January 7– the moment for eating a French cake called the 'galette des rois'. This year, Luz spent the evening before it with his analyst. Thinking about his birthday, he told her, made him a little bit blue. Year after year, the day unrolled in a pattern. It started with parental phone calls and finished with a "surprise" dinner.

    In between would come the year's first meeting at Charlie Hebdo. To that, being a birthday boy, he had to bring a galette. In 23 years, he grumbled, nothing ever changed. His "special day" was one of hopeless predictability.

    In his new book Catharsis (Futuropolis), Luz recalls this chat. But the memory comes after 114 pages of blood, phantoms, police, guns, media and hallucinations. Frenetic sex alternates with bewilderment and sudden rages flame up before they shrink back into shudders. All this tumult is pictured in different styles, sometimes with anarchic scratches and other times in orderly sequences.

    The book is, of course, about how everything changed on Luzier's birthday. But his confessional volume should have a wider interest. That’s because its subtext is the artist

  • renald luzier biography books