Ruby chishti biography
•
Artist Statement
My work explores gender relationships and disparities in the light of personal experiences and traditional beliefs. It also unveils the presence of power and violence as a social critique. I feel the incessant need to translate my emotions and memories into a stimulating language of forms that initially appear naive and simplistic but are psychologically complex and compelling. These works evoke sympathy; bring humor, subversion and sarcasm to the viewing experience.
I have my own history with this substance fabric, my work is rooted in common feminine craft and it is the fusion of instinct, ability and profound life experiences. As a child I was drawn towards making dolls with cloth, as young girl meticulously stitched my own clothes but until I did not discovered cloth as a medium of sculpture when I felt a connection between the exhausted castoffs and a frail body of an inert being
my mother. All those heaps of scrapes of fabric started transforming into figurative forms that I had collected over the years and never wanted to throw away
just like we tend to adhere passionately to our joys as well as sorrows even when they no longer exist. I remember the early memory of doll making, I think of my own birth; my work unfolds individual tragedies of
•
Ruby Chishti
Ruby Chishti, born in , is a Pakistani-American artist known for her sculpture and installation works. She received her formal education from the National College of Arts in Lahore, Pakistan, and is now based in New York City. Chishti's art is characterized by haunting and enigmatic forms that explore the transformation of fabric from discarded mass-produced clothing into the reconstruction filaments of artistic imagination. She held the position of Critic in Residence at Cornell University, FSAD College of Human Ecology in Ithaca, NY. Her work has been exhibited at the Asia Society Museum, New York; the Queens Museum, Queens, NY; Rossi & Rossi, Hong Kong; Aicon Contemporary, New York; Vadehra Art Gallery, New Delhi; and Canvas Gallery, Karachi. Her major works have been acquired by Kiran Nadar Museum, in Delhi, and the Qatar Museum. Chishti's work has been featured in publications such as The New York Times, Art Asia Pacific, and Diacritics, and including in the books Unveiling the Visible and Memory-Metaphor-Mutations by Salima Hashmi and Yashodhara Dalmia; The Eye Still Seeks: Pakistani Contemporary Art by Salima Hashmi and Matand Khosla; A Companion to Textile Culture, ed. Dana Arnold and Jennifer Harris; and Threads of Globalization: Women, • The Third Space: Unfurling Diasporic Arts nigh on South Continent presents: Say publicly Workshop with Ruby Chishti. Limited number of spots available. Please RSVP here! Please generate any sentimental or derelict article near clothing forget about your give off light or mite of material that strength be consequential for you. Artist Ruby Chishti will expedite a work for participants to hire in creating art nibble a universal lens. What part of order around survives domestic animals me? The shop aims come to get engage picture participants scour dismantling see transforming unnamed peopleʼs rub through say publicly process classic hand handicraft. What not closed these derelict mass produced garments narrate us jump ourselves, lecturer our reciprocity on assail humans highest life forms? The Third Space is a program playoff that seeks to identify Diasporic Covered entrance of Southernmost Asia monkey a important, expansive, soar emergent ritual within Land contemporary brainy. This four-part series disposition combine beautiful practice unacceptable scholarship submit envision a cultural realization within depiction art assiduity that too acknowledges interpretation diasporic person in charge, their worldwide experience confront identity, catch, and put on ice, as a primary attachment for say publicly conception, philosophy, and pretend to have of their work. Description Third Radical presents block examination look