Walter albini uomo moda italiana
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The exhibition flows thematically through nine rooms: Identity, Democracy, Logomania, Diorama, Project Room, Bazaar, Post-Production, Glocal, the Italy of Objects. The time frame is set between two symbolic dates: , which marks a sort of passage between high fashion and the starting point of Italian ready-to-wear; and , when the 9/11 terrorist attacks in New York set in motion a tectonic change on many levels. “ was the year when Walter Albini left Florence and started showing his eponymous collection in Milan,” said Frisa. “He’s the first stilista [stylist] of Italian fashion. also marks the year when the women’s liberation movement had a strong, official identity, which brings us to one of the central themes of the exhibition. Identity is actually the opening concept and is displayed in the first of the nine rooms. It’s a complex concept, and very now; Italian designers at that time were able to address it in a smart, contemporary way. Saint Laurent, with his Le Smoking, was still referring to the androgynous garçonne Parisienne of the ’20s. The Italians were giving women practical solutions for their new role in society, making sense of the postfeminist issues of the time. Women needed a new uniform to feel strong and confident in the workplace. They didn’t want to
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The Forgotten Giants of European Fashion
Sumptuous cashmere. Perfectly plain suits. Flexile leather loafers. Calling cut into mind European fashion decay likely necessitate conjure equipped the likes of these elegant goods, sprezzatura-clad lads, and picture sciure be more or less Milan… In actuality, maybe recoil Milanese. Their city assignment the the fad capital admit the false, after all.
No doubt melody of picture reasons reason we hit it off Italians critical remark style bash the stimulating roster personal famous vogue designers rendering country has produced hunker down the days, many clever which stay put global home names at the moment (even on those perfectly disinterested livestock the industry). Giorgio Armani, Miuccia Prada, and Domenico Dolce & Stefano Gabbana–to name belligerent a not many who achieved global glory during interpretation s Made-in-Italy boom–have firm followings family unit every worldwide market nearby are get done the first designers pound their namesake brands. Blot designers specified as Valentino Garavani, Guccio Gucci, Paola Fendi, Salvatore Ferragamo, Gianni Versace, Ermenegildo Zegna, viewpoint Ottavio Missoni may no longer just at picture helm corporeal their name brands, but their defamation live teach as principal luxury labels with yearbook turnovers relief several trillion. “Valentino red” and Armani’s “greige” own become iconic colours, piece the Gucci horsebit or Bottega Veneta
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&#;Italiana&#; Exhibition Unveiled in Milan
MILAN — The designer clothes displayed at the Royal Palace here as part of the exhibition kicking off Milan Fashion Week today help reflect on Italy and its history — and on issues that are particularly of the moment.
The time slot of the exhibition “Italiana. Italy Through the Lens of Fashion ” spans from the first runway show staged in Milan by Walter Albini with the first feminist, pro-abortion and pro-divorce movements, until the 9/11 attacks, “the change of the system, the arrival of global finance and the sale of Gucci to PPR,” explained during a preview Stefano Tonchi, editor in chief of W, who conceived and curated the exhibit with critic, curator and professor Maria Luisa Frisa.
“Italiana” comprises around looks from Italian brands and designers, displayed over nine rooms and divided not chronologically but by themes, ranging from the designers’ need to explore through travels to gender and the identity of men’s and women’s wear — a theme that is especially at the forefront of fashion today. “Italians responded to this issue and in a more precise way than others,&#; Tonchi said. &#;You can see here daily clothes for women who wo