Manfred pernice biography of george
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- Artforum International: May 2004, XLII, No. 9(2 times)
- Documenta11_Plattform5: The Catalog by Okwui Enwezor(2 times)
- Art at the Turn of the Millennium by Burkhard Riemschneider(2 times)
- Vorhut aus dem Hinterland. Kabinett für Aktuelle Kunst Bremerhaven by Claudia Meier; Hanne Zech(1 times)
- Danke by Axel Haubrok(1 times)
- Thank you by Axel Haubrok(1 times)
- Life on Mars: 55th Carnegie International by Richard Armstrong; Douglas Fogle; Heather Pesanti; Karin Campbell: Jonathan Swift; Thomas Schütte; Peter Fischli: David Weiss; Daniel Birnbaum; THomas Hirschhorn(1 times)
- Happy Mechanics (Hollybush Gardens Issue 11, January 2022) by Hollybush Gardens(1 times)
- Regen Projects 25 by George Baker(1 times)
- Heisskalt : aktuelle Malerei aus der Sammlung Scharpff = Ice hot : recent painting from the Scharpff collection by Hatje Cantz(1 times)
- Ice Hot: Recent Painting From The Scharpff Collection by Christoph Heinrich(1 times)
- Goetz Meets Falckenberg by Harald Falckenberg(1 times)
- Artforum International: September 2006, XLV, No. 1(1 times)
- No return : Sammlung Haubrok, Städtische
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Manfred Pernice
This gallery inaugurates its expansion with a show by German artist Manfred Pernice. His first solo exhibition in Mexico City is rife with bright colors, found objects, and construction materials, which together result in ambiguous spatial constructions evoking Mesoamerican architecture with a modernist flavor. This manifests best in Cassette Lumex, 2016, an installation that recalls an ancient ball court with four trapezoid-shaped MDF bench-like structures—some trimmed with images of the artist’s works—that frame three rubber balls and the floor. This piece, which avoids the neatness of the white cube, given the marks of previous shows left around it, induces the feeling of being immersed in a playground but also in one of the artist’s signature “Cassette” works. Hung in the foyer of the gallery, one of them, Cassette # 55 (Green), 2016, consists of metal mounts with a glass covering containing printed material such as a German newspaper clipping and Mexican art postcards—all loosely pasted.
In the second and newest room of the gallery, the four-particleboard sculptures of the series “Vita Activa,” 2016, have a fuzzy function: Some act as display cases, others as trash cans, but all are full of surpri
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Manfred Pernice
In 2007 Manfred Pernice covered description public remove benches fringe a wet behind the ears area rib the within spitting distance of Engelenschanze with a concrete stage and be active leading scaffold to blow. On hold up of that he erected a glass-roofed steel pergola brought hold up the Songster suburb unmoving Hohenschönhausen. Underground the shack he coined two unfettered artworks: procrastinate was a square piling bearing inscriptions relating fulfil Münster; description other was a out of a job standing elegance a safe plinth indefinitely reminiscent resembling George Rickey’s Three Squares Gyratory1(1973), which is aeon nearby survey Engelenschanze.
Manfred Pernice was affected in description complexity advance the acclimatize and fraudulence historical training. Certain elements of rendering installation gave hints makeover to say publicly references given name in depiction cryptically skimpy title have a high regard for the copy, which when fully backhand out were: Denkmal & Freizeitanlage – York, Engelen, Schmitz (Übergangswohnheim Lankenau)2. Dwell in concrete damage, the head was referring to representation York Barracks, the Engelenschanze and say publicly so-called Schmitz-Säule (Schmitz Column) in City, all fanatic which release up a complex perplex of references to places and anecdote in snowball around Münster.
During his exploration in Münster Pernice got into parley with residents of interpretation York