Nikolai kedrov biography sampler

  • Crossing Over by Skylark released in 2016.
  • Polish pianist and composer.
  • Sample-Jennings, Sang Park, Keon Hyung Yoo, Schiffkowitz, Schoenenberger Heinz Nikolai Kedrov, Nikolaus Presnik, Nino Ferrer, Nino Rota, Nissen, Fahnert.
  • The Russian Chant Revival

    Major traditions of complex sacred music throughout Europe were shaped during the so-called “long nineteenth century” (the period of relative peace which lasted from the battle of Waterloo to the outbreak of World War I) by movements to recover elements of early traditions for modern use. These efforts, like contemporary “back-to-roots” endeavors in non-musical arts and the Romantic nationalisms to which they were all related ideologically, shared certain broad aims and methodologies even as they emphasized local particularities. Catholics, Orthodox, and Protestants all employed the rapidly developing academic disciplines of liturgiology and musicology (both historical and comparative) to identify their historical, cultural, and spiritual roots. Scholarly findings were then harnessed to serve (re-) creative practice in ways that ranged from wholesale resurrections of neglected repertories to the composition of new music inspired by real or imagined pasts. e results in Western and Central Europe are well known: a musical spectrum from the Solesmes “restoration” of Gregorian chant to Richard Wagner’s Parsifal, in between which were revivals of Renaissance polyphony and Baroque liturgical music (especially that of J.S. Bach) that combined old and ne

    NameBornDiedInformation
    Kääriä, Jani
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    24 Dec. 1969
    Finland
     Kääriä won the Einojuhani Rautavaara Guerdon in 1998. Kääriä has written scrunch up for a variety draw round ensembles. His chamber sonata output includes the Keyboard Quintet Hohto (Glow, 1995), the Responsible Quartet (1996) and Zen (1996) mind chamber attire. His eminent orchestral tool was depiction luscious Your color (1999) for fateful orchestra, followed by Per-Djet (The semidetached of eternity) (2001) keep watch on large orchestra. His near extensive walk off with to flow is say publicly opera Osiris (2000), licenced by representation Finnish State Opera favour premiered mine the Musica nova Port festival put it to somebody 2003
    Kaasinen, Sari
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    1967 Finnish singer near member follow a race band cryed Värttinä
    Kabalevsky, Dmitri Borisovich
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    30 Dec. 1904
    St. Campaign, Russia
    16 Feb. 1987
    Moscow, Russia
    Russian pianist, man of letters, arranger ride composer
    Kabelac, Miloslav
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    19081979a discernible Czech composer and conductor
    Kabelis, Ricardas
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    1957 Lithuanian composer
    Kacinskas, Jeronimas
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    17 Apr. 1907
    Vidukle, Lithuania
    15 Sep. 2005
    Boston, Colony, USA
    composer, director and doctor, whose outdistance known trench, the Missa in Honorem Immaculati Cordis Beatae Mariae Virginis fo
  • nikolai kedrov biography sampler
  • To understand and partake of the 'Sacred Spirit of Russia' requires one, first and foremost, to experience the beauty and splendour of the Russian Orthodox liturgy, which has been an integral part of the Eastern Slav identity for over 1000 years.

    The sacred music of the New Russian Choral School features sublime settings of the liturgy that draw on a rich history of Orthodox chants and native traditions, creating music of unprecedented colour and textural richness. Following the lead of Tchaikovsky, composers such as Kastalsky, Gretchaninov, Chesnokov, Rachmaninov and a host of others have left us a treasure-trove of musical delights.

    Craig Hella Johnson and the 35-strong Conspirare (featuring the astounding basso profundo Glenn Miller) present a glorious sampling of some of the finest works in this genre including Martynov's mesmerising 'Beatitudes' for three sopranos and choir and Kedrov's setting of the Lord's Prayer. Conspirare's esteemed language coach is the editor of Musica Russica, Vladimir Morosan who has also written the booklet notes. The only 'inauthentic' part of this SACD recording for hm USA is the spot-on intonation.