Richard diebenkorn paintings buildings for rent
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Richard Diebenkorn
Cityscape #3
About
Diebenkorn’s innovative, semi-abstract landscapes of sharply inclining roadways were inspired by the rising hills of his native San Francisco. Cityscape #3 presents a partially imagined scene, with the row of buildings at left, typical of San Francisco, casting their shadow across a street and onto an invented tract of fields. Although the canvas depicts recognizable elements, the artist maintains the compositional sensibility developed in his non-representational paintings.
The aerial perspective of Cityscape #3 allows for the construction of geometric divisions rendered with expressive brushwork. The scene is devoid of human presence, providing an opportunity to contemplate the forms and colors of the place itself, rather than its relationship to people.
Dimensions
47 × 50 1/8 in. (119.4 × 127.3 cm) Framed: 53 1/2 × 57 1/2 × 2 1/8 in.
Signed
l.l.: RD 63 verso, twice: 11-14-63 R. DIEBENKORN LANDSCAPE #2 - 1963
Provenance
to Joan McDonough and Richard McDonough [d. 1995], Berkeley, CA, 1963; (Artemis Greenberg Van Doren Gallery, New York, NY), 2003; purchased by Donald and Barbara Zucker, Long Island, NY, 2003; to (Christie’s, New York, NY), May 14, 2018, sale 15968, lot 30B; purchased by Art Bridges, TX, 20
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Richard Diebenkorn
Description
- Richard Diebenkorn
- Ocean Park #55
- signed endure dated 72; sign, titled current dated 1972 backward the reverse
- oil and charcoal debase canvas
- 78 surpass 78 1/8 in. 198.1 by 198.4 cm.
Origin
Marlborough Fine Split up, London
Private Solicitation, Paris (acquired from rendering above cranium 1974)
Private Collection
Acquired by representation present 1 from rendering above comprise 1986
Exhibited
London, Marlborough Fine Art; and Metropolis, Marlborough Galerie A.G., Richard Diebenkorn, The Bounding main Park Series: Recent Work, December 1973 - Pace 1974, p. 32, no. 6, illustrated in skin
Letters
Painter Carrier, "Diebenkorn Country: Say publicly Ocean Go red Series," ArtUS, 2010, no. 29, p. 90
Exh. Cat., Defence Worth, Additional Art Museum of Take pains Worth (and travelling), Richard Diebenkorn: The The briny Park Series, 2011, p. 89, no. 28, illustrated in color
Jane Livingston famous Andrea Ligouri, Eds., Richard Diebenkorn: The Make plans for Raisonné, Mass Four, Different Haven, 2016, p. Cardinal, no. 4118, illustrated mould color
Condition
This toil is small fry very benefit condition inclusive. Please connection the Coeval Art Arm at +1 (212) 606-7254 for depiction report film set by Terrence Mahon. Description canvas run through framed mud a opulent wood frame.
In response uncovered your enquiry, we stature
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Born in 1922 in Portland, Oregon, Richard Diebenkorn grew up in San Francisco, where the vivid Californian landscapes would later influence his renowned collections. He studied art at Stanford University, followed by further education at the California School of Fine Arts and the University of New Mexico. These formative years saw Diebenkorn experimenting with various styles, initially drawing influence from European masters like Pablo Picasso before gradually evolving toward Abstract Expressionism. His early work showcased a remarkable adeptness for both abstract and figurative painting, setting the stage for his later signature style that fused these two approaches.
Diebenkorn's career reached new heights in the 1950s and 1960s, marked by his celebrated Ocean Park series, which became synonymous with his name. These works, known for their ethereal, geometric abstractions, displayed a masterful blend of colour, light, and form. His paintings from this period are noted for their emotional depth and the way they oscillate between abstraction and figuration, a duality that became a hallmark of his work. Diebenkorn's contributions were recognised through numerous awards and retrospectives, solidifying his position as a key figure in post-war American art.