Robyne robinson biography of donald
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Many Twin Cities residents remember Robyne Robinson as a former Fox 9 news anchor and producer.
Though her longtime tenure as a news leader ended in 2010, her other passions, ambitions, adventures — and successes — haven’t waned in the slightest.
In fact, her trajectory as an artist, curator, promoter and even candidate for lieutenant governor started taking shape 10 years before she left the TV business.
She made sure of that.
“Many women in TV don’t have long careers,” Robinson said, adding that the arrival of high-definition TV made it even harder for broadcasters to escape scrutiny over even the slightest of wrinkles, especially women.
“You have to constantly evolve,” she said. “As you get older, you really have to think about: ‘What’s the next step for me?’ You’re constantly reinventing yourself.”
Since her departure from Fox, Robinson has taken on numerous other roles in the Twin Cities, including most recently a post as director of the MSP Arts and Culture Program with the MSP International Airport Foundation for the past four years.
Robinson’s been a jewelry designer, a PR guru, a board member for many arts organizations and a sought-after emcee, too.
And now, as of this past January, she’s moving into yet another time of metamorphosis with a new position as a
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Robyne Robinson Interview
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Interview by Sheri Hansen
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In Jan, Robinson sat down practise an extensive conversation constitute Architecture MN at rendering Soo Optical Arts Center (SooVAC) mess South Metropolis. She serves on representation SooVAC board.
What kinds take up projects build you deposit on constitute fiveXfive horizontal now?
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Robyne Robinson Q&A
You spent 20 years as a broadcast journalist with KMSP-TV. Do you ever miss it?
It’s analogous to having a family when you spend 20 years at a station. I grew up on the air there, covered amazing stories with people close to my heart. But you learn, you grow, the family expands and you go on your adventure. There are things I’ll always miss: live newscasts, election campaigns, the people. But there’s a lot of crazy in TV news, which I don’t miss.
While you were at KMSP-TV, you started “The Buzz,” the first segment on local TV dedicated to reporting on the music scene. Why was that important to you?
It was important personally and professionally. I had to lobby for my job on the main newscast, and wasn’t getting equal treatment. I needed to build my own audience to give me leverage. I was finding my way into the art and music community and a couple of dear friends not only vouched for me to get inside with some of the top artists and acts, but defended “The Buzz” to management and rallied the Twin Cities to keep it on the air. The arts scene here is one of the most creative, important communities in the country — and internationally. It breeds the best in each generation. What if there was a TV segment that celebrated tha