Wissam boustany biography of martin
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Georg Philipp Telemann (1681-1767) Fantasie No. 1 recorded during lockdown.
Wissam Boustany performs Georges Bizet's CARMEN FANTASY at a Selecteum des Arts et des Sciences concert with with Quatuor Musique del Tempo. The concert took place on March 2, 2016, in Saint Louis Cathedral of the Capuchin Brothers, Beirut, Lebanon.
How an improvised music on piano became a score for flute and string trio... Documentary on the world premiere recording of Sam Marzbani's UN JOUR INFINI for flute and string trio interpreted by Wissam Boustany and members of the Brodsky Quartet. Recorded at Air Studios in London early February 2013 by Arne Akselberg. Produced by Christopher Alder.
Wissam Boustany and Aleksander Szram perform Frank Martin's BALLADE for flute and piano. This performance took place at the Adams International Flute Festival in Ittervoort, Holland.
Thanks to the wonderful Arashi, whom I just met on the internet, we have been able to track down my COMPLETE solo in the first performance of "Il Viaggio a Rheims", recorded with Samuel Ramey, under Claudio Abbado and the Chamber Orchestra of Europe in 1984.
Wissam Boustany performs Johann Sebastian Bach's Concerto in E minor BWV 1059/35, at Selecteum des Arts et des Sciences concert with Quatuor Musique del Temp
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Recent Reviews
The Western nations’ fascination with Eastern cultures is not new, and neither is its expression in Classical music. Both French and Russian music of the late 19th and early 20th centuries abound with such examples. Of course, each composer displays his own individual way of turning his inspiration into sound. Camille Saint-Saëns’ pseudo-orientalism in the Bacchanal scene from his opera Samson et Dalila is a far cry from Claude Debussy’s subtle invocation of the pagodas of Far Eastern temples or Balinese gamelans.
Russian composers too delved into Eastern music to expand and enrich their musical idiom. Furthermore, they encouraged young composers from the Caucasus to draw material from the mine of their Eastern musical heritage. Nicolai Rimsky-Korsakov (1844-1908) who is best known for his suite Scheherazade, once said to his Armenian student, Alexander (Spendiarov) Spendiarian (1871-1928): “You are an Easterner by birth, you have the East in your blood… My East is in my head, it is contemplative”[i].
Reinhold Glière (1874-1956), the first of the Moscow composers to extend a helping hand to the professional music schools in the new republics of the Soviet East, studied Eastern music and explored ways to synthesize it with traditional Europea
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