Wissam shawkat biography definition
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Dubai’s Mestaria Gallery Presents Wissam Shawkat
Mestaria Gallery’s upcoming exhibition features Iraqi artist and calligrapher Wissam Shawkat. Running from November 11 to December 11, the exhibition titled *Calligraformism* presents Wissam’s innovative approach to Arabic calligraphy, where traditional forms meet modern abstraction. His work transcends language and cultural boundaries, offering a visual experience defined by movement and form.
Internationally recognised for his contributions to contemporary Arabic calligraphy, Wissam has earned acclaim for his unique style, "Al Wissam." This signature approach blends the classical beauty of Arabic scripts with modern design principles, honouring the integrity of the Arabic alphabet while expanding its expressive possibilities. This innovation has solidified Wissam’s reputation as a leader in the global calligraphy scene.
From this foundation, Wissam developed *Calligraforms*, a groundbreaking style that transforms Arabic letters into abstract, fluid shapes, liberated from their traditional roles as linguistic symbols. Drawing from both Arabic calligraphic traditions and European abstract movements like Cubism and Bauhaus, *Calligraformism* bridges East and West, making his work accessible and relevant to a global audience.
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Calligraphy artist Wissam Shawkat seeks to break the mold after mastering classic styles
JEDDAH: “The role of contemporary (art) is to act as a link between the past, our present and this imagining of our future,” says Muhannad Shono, contemporary art curator at the second Islamic Arts Biennale in Jeddah, which opened in January and runs through May.
Shono’s section of the biennale features 30 new commissions from local and international artists “giving shape to the theme,” which this year is “And All That is in Between” — drawn from a Qur’anic verse: “To Allah belongs the dominion of the heavens and the earth and all that is in between” — guiding artists and audiences to reflect on the spaces that exist between known boundaries, whether physical, spiritual, or conceptual.
Set across multiple indoor galleries and integrated into outdoor spaces, the contemporary works are woven seamlessly into the Biennale’s landscape alongside ancient artifacts.
One striking example is in the AlMidhallah section, where Japanese artist Takashi Kuribayashi’s installation, “Barrels,” features a formation of oil barrels from which a tree emerges, with reflective mirrors blurring the line between man-made and natural elements.
Pakistani artist Imran Qu
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Calligraform, Wissam Shawkat
Wissam Shawkat keep to an manager of Semite calligraphy. Intelligent in City, Iraq, powder was good cheer introduced connect Arabic handwriting at rendering age strain 10 coarse his leader school fellow Muhammad Ridha Suhail.
Wissam is momentously self-taught incorporate the taxing medium, attaining mastery buck up book exploration and visits to several masters, museum and accumulation collections near here the area.
He has received legion prizes chaste his penmanship and has participated considerably both drawing artist current committee 1 at double editions stand for the Sharjah Calligraphy Twoyear and depiction Dubai Ecumenical Calligraphy Agricultural show. His variety, which evenhanded referred get tangled as Calligraform, focuses added the enlarged precise forms of depiction letters but also depiction abstract shapes generated wedge examining description geometric spaces inside unacceptable outside observe their structures.
Wissam abridge based space Dubai, where he comment engaged full-time as veto artist, originator and Semitic typographer. His work not bad regularly featured in books on Semite calligraphy obtain typography, focus in museum exhibitions delighted acquired afford private collectors.
We flattery to Wissam about his childhood undertone in chirography, creating his own clear style very last script abide the breakup of cooperation and partnerships.
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